35MM TEXTURED BOKEH LENS SKIN
35MM TEXTURED BOKEH LENS FULL
35MM TEXTURED BOKEH LENS PLUS

Burnside 35 is a great lens for creating your own, unique vision of landscape and street photography, environmental portraits, and more. The 35mm focal length makes this lens the ideal focal length to capture life – whatever surrounds you and grabs your eye – as it happens. Standing close to your subject with a highly textured background will produce the most swirling effect a less textured background or more distance between you and your subject will result in less swirl. The amount of swirl is also determined by your distance from your subject and the amount of contrast and texture in the background. Bright apertures create the most swirl and a smaller focus area, while darker apertures create a larger focus area with less swirling bokeh. Tamron 35-150mm f/2-2.8 Di III VXD Lens for Sony E (12) 1899 Shop Now The Tamron 35-150mm f2-2.8 Lens combines a versatile range of focal lengths and apertures that has never been available for the Sony E-Mount system. The aperture ring lets you dial in your desired amount of swirl, depth of field and size of focus area. Tamron has recently introduced a revolutionary zoom lens for Sony E-Mount cameras the Tamron 35-150mm f2-2.8 Lens.

35MM TEXTURED BOKEH LENS FULL

The vignetting is more dramatic on full frame cameras than on crop sensor cameras.Īperture controls much of Burnside 35’s versatility. Wide open, the effect slider produces a softer swirling effect darkening the slider brings out the detail in swirl and adds vignette to your images. This effect enhancement slider serves to enhance the effects of the lens by adjusting the amount of vignette and degree of detail in the swirly bokeh.

Adjust the bronze effect slider on the barrel of the lens to create additional balance and harmony between focus, bokeh and vignette.

Use Burnside 35’s aperture ring to control the size of your focus area and amount of swirl – bright apertures will give you the most swirl and a smaller focus area, while darker apertures will give you a large focus area with less swirling bokeh.īurnside 35 also features a secondary aperture set designed to enhance Burnside’s optical effects. This 35mm f/2.8 lens lets you create images with a large, bright central area of sharp focus and amazing color rendition surrounded by subtle, swirling bokeh and vignette. With a little cropping perhaps one of these will make a good 35mm alternative.Burnside 35 is an entirely new kind of creative effects lens for full frame and crop sensor cameras. It is really a shame that I cant seem to find a decent 35mm as this is one of my preffered focal lengths to work with - but I saw good bokeh from the 28mm f2 and of course the f1.4. Some are very easy to focus (best example the 105mm f2.5 portrait lens) that just 'snaps' into focus and others (like the MF 85mm f1.8) that should be just as easy considering DOF is almost guesswork. I often wonder why this is, but I have seen it very many old lenses. Also, the focus ring is kind of stiff and for some reason I find it generally very hard to focus this lens, even at f2 (with Leica lens you need to use stop down metering).

35MM TEXTURED BOKEH LENS SKIN

The latter is a really great lens for bokeh, but the color rendering is warm and difficult to work with for skin tones. Today I have an old MF 35mm f2 (that is quite good actually but definately doesnt like front light) and a Leica Summicron 35mm that has been modified for the F mount. I skipped the Nokton as I am quite happy with the 50mm f1.2 now.Īs for 35mm I sort of gave up. Both f1.2 lenses have good bokeh, with the 55mm beeing the more dreamy one (and less sharp).

35MM TEXTURED BOKEH LENS PLUS

I have tried pretty much every 50mm that Nikon has made (save for the noct), plus the 55mm f1.2. Voigtlander Nokton 58mm f/1.4 SL II (manual but comes with cpu)

35mm textured bokeh lens